Cultural dates for the diary – Odessa, Italy, Russia, Minsk (No Poland?)December 15, 2016
For my erudite readers, a 24 hour hiatus from policy and politics and a climb from that grubby valley unto the high arts and cultural peaks with noteworthy and dates for the diary over the festive period.
The magnificent (seriously they really are very good) Odessa Philharmonic conducted by a true friend of the blog Mr Hobart Earle will be playing the following dates and venues:
19th & 20th December – Tchaikovsky Christmas Gala at Odessa Philharmonic. (20th December is Mr Earle’s birthday so be especially generous in your appreciation)
The New Year sees the Odessa Philharmonic performing 12 concerts at as many venues around Italy.
For the true connoisseur, there is no orchestra as accomplished with its Viennese programme anywhere east of Vienna, therefore expect a magnificent return to Odessa and all things Viennese on 15th and 17th January. It goes without saying, highly recommended.
26th January is for those with a taste for Haydin and Beethoven.
13th February is for the lovers, with the traditional Valentine’s programme.
21st February Mr Earle heads to Moscow’s Tchaikovsky Hall to dabble in some Grieg and Sibelius.
25th February for the many admirers of Verdi in Minsk who will receive a splendid performance of Aida.
Lo my erudite readership, if you are in Odessa, Italy, Moscow and Minsk (as many of you are if IP addresses are any indication) immerse yourselves in some high culture delivered by the Odessa Philharmonic under the baton of the only American cultural figure to have been awarded the “People’s Artist of Ukraine”.
Having made a particular point of lauding the Odessa Philharmonic with regard to all things Viennese when it comes to performance, it is worthy of pointing out that whenever it play its Polish programme, it is also at its best.
(Indeed Krzysztof Penderecki, who is undoubtedly the best Polish composer still with us (and one of the best ever) is hardly unknown to Mr Earle and vis versa.)
Thus in the spirit of new annual culture budgets, Polish-Ukrainian relations et al., the question to intellectual Polish readers (and friends in some cases), is why the Odessa Philharmonic plays Italy, Belarus, Russia and Ukraine – but not Poland when it has a splendid, very well performed Polish repertoire?